Helena Solberg Cineclub
Running since 2012, and after a brief hiatus due to the Covid-19 pandemic, the Cineclub of the Embassy of Brazil in London resumed its monthly programme of Brazilian and Brazil-related film screenings in April 2023. With a new curatorial approach, this cycle of the Cineclub aims to showcase a broad spectrum of films based on a variety of themes, from various periods with distinctive aesthetic and narrative styles, bringing fresh insights into Brazilian film production from the past and the present.
In its current phase, the film club has been named Helena Solberg Cineclub, as a homage to the exceptional filmmaker who has been part of Brazilian film history since the 1960s. Solberg has developed a seminal body of work which stands out for her feminist and social commitment, her attentive look at inequalities in an intersectional way, and her approach to Brazilian culture and identity. She directed her first shorts, The Interview (A entrevista, 1966) and Noon (Meio-dia, 1970), when Cinema Novo was emerging, positioning her as the only female director to participate in that movement. Upon moving to the United States in the 1970s, she directed the Women’s Trilogy with the International Women’s Film Project collective. Throughout the 1980s, she made a series of documentaries on the US interference with authoritarian governments in Latin America for PBS (the Public Broadcasting Service), including the Emmy winner From the Ashes... Nicaragua Today (1982). On her return to Brazil, she directed several acclaimed documentaries and fiction films, such as Carmen Miranda: Bananas Is My Business (1994), Diary of a Provincial Girl (Vida de menina, 2004) and Jandyra, a Brazilian Tragedy (Meu corpo, minha vida, 2017). To learn more about Solberg’s career trajectory, read the article The Emerging Woman.
Keep an eye on this page and our social media channels (Instagram | Facebook | Twitter) in order not to miss our first-rate lineup. For updates, you can subscribe to the Helena Solberg Cineclub mailing list at cultural.london@itamaraty.gov.br.
The screenings are planned to take place monthly. Admission is free, but RSVPing is required through our Eventbrite page.
WHAT'S ON
NOVEMBER SCREENING
PULSATIONS by Manoela Ziggiatti
20 November 2024, 6pm (doors open)
There will be drinks to welcome the audience, kindly provided by Go Brazil Wines & Spirits, and the screening will start at 6.30pm
RSVP link here
In November, the HELENA SOLBERG CINECLUB screens the adorable documentary Pulsations, in which the director Manoela Ziggiatti seeks what inspires and motivates our lives. Depicting intimate encounters with her family and close friends, the film builds a delicate narrative about the meaning of being alive. The screening will be specially video-introduced by the Brazilian film scholar, film critic and filmmaker Marcelo Ikeda.
THE FILMS
PULSATIONS | PULSAÇÕES
Dir. Manoela Ziggiatti | 2011 | Brazil | 73 min. | Portuguese with English subtitles
Behind the camera, one listens to the director Manoela Ziggiatti talking to family and friends about their deepest motivations: what they desire, what their dreams are, their plans for the future, their hopes. It starts in the privacy of her kitchen, with her mother opening up about her life and wounds. She will do the same with her father, grandmother and various other friends.
The film is based on a fundamental philosophical concern: to ask ourselves about the meaning of our existence, why we live, what we do with our days. The beauty of Pulsations lies in its subtlety: the unpretentious way the director shows something very profound and mysterious – the emptiness of our present lives, the lack of great aspirations and ideals, the pragmatism or inertia that make us live without reflecting on our own essence. Exploring the eventful course that moves and weaves our lives, the narrative flows naturally and involves both interviewees and audience, revealing in Manoela a great conversationalist who follows the steps of late Brazilian filmmaker Eduardo Coutinho, the greatest in this realm.
Pulsações had its world premiere at the prestigious Guadalajara International Film Festival and was screened in several events worldwide, such as the Uruguay International Film Festival, the EDOC: Encuentros del Otro Cine (Ecuador), the Lima Film Festival, the São Paulo Latin American Film Festival, and the Rendez-vous du Cinéma Lusophone à Paris. The film was also part of the programming catalogue of Canal Brasil, a cable TV channel dedicated to Brazilian cinema and other audio-visual productions.
Watch the trailer here
THE DIRECTORS
Manoela Ziggiatti is a director and editor with a degree from EICTV of Cuba, specialising in documentary direction from Salford University. She has been a partner at Avoa Filmes production company since 2005. She has worked as an editor on series and films such as The Death of Jaime Roldós (La muerte de Jaime Roldós, dir. Manolo Sarmiento & Lisandra Rivero, 2013), Necropolis Symphony (Sinfonia da necrópole, dir. Juliana Rojas, 2014), A Great Trip to a Small Country (La gran viaje al país pequeño, dir. Mariana Viñoles, 2019), among others. Pulsations is her first full-length documentary, followed by the short films The Flight (O voo, 2015), screened at over 20 film events and winner as best Latin American short film at FicValdivia (Chile), and Big Word (Palavra grande, 2021). She also works as a consultant, collaborating with the Cabíria Festival, DIALab, and others. Since 2014, she has been a member of Vermelha Collective, developing and spotlighting actions for the participation and better representation of women in the audio-visual sector. Manoela currently lives in Fortaleza, where she coordinates the Cena 15 – Cinema Lab at the Porto Iracema School of Arts.
PREVIOUS SCREENINGS
Screening date | Film title | Director | |
16 October 2024 | Doctor Gama (2021) | Jeferson De | download pdf |
18 September 2024 | Pernambuco Cinema Encounter | Various directors | download pdf |
14 August 2024 | Bittersweet Rain (2022) | Haroldo Borges | download pdf |
31 July 2024 | Basic Sanitation (2007) | Jorge Furtado | download pdf |
17 July 2024 | Buccaneer Soul (1993) | Carlos Reichenbach | download pdf |
19 June 2024 | Three Tidy Tigers Tied a Tie Tighter (2022) | Gustavo Vinagre | download pdf |
22 May 2024 | I'll Raffle Off My Heart (2011) | Ana Rieper | download pdf |
17 April 2024 | Incompatible with Life (2023) | Eliza Capai | download pdf |
20 March 2024 | All Together Now: Sisterhood in shorts by Brazilian women filmmakers (2017-2021) | Various directors | download pdf |
7 February 2024 | The Wizard and the Sheriff (1983) | Fernando Coni Campos | download pdf |
17 January 2024 | The Book of Delights (2021) | Marcela Lordy | download pdf |
13 December 2023 | The First Fallen (2021) | Rodrigo de Oliveira | download pdf |
29 November 2023 | The Silence That Sings for Freedom (2022) | Úrsula Corona | download pdf |
10 October 2023 | ÔRÍ (1989) | Raquel Gerber | download pdf |
20 September 2023 | Welcome Back, Farewell (2021) | Marcos Yoshi | download pdf |
16 August 2023 | Three Summers (2019) | Sandra Kogut | download pdf |
19 July 2023 | Crossings: Afro-Brazilian Women Filmmakers Now (2015-2020) | Various directors | download pdf |
21 June 2023 | The Devil Queen (1974) | Antonio Carlos da Fontoura | download pdf |
24 May 2023 | A Yellow Animal (2020) | Felipe Bragança | download pdf |
13 April 2023 | Carmen Miranda: Bananas is my Business (1994) | Helena Solberg | download pdf |